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  摘 要:以莫军为代表的印象派的画家们突破了传统的绘画模式和和色彩观念,不断的探索色彩的变化,描绘光和色瞬间的印象,建立了一套新的色彩观和绘画表现手法。摈弃了不必要的,被动的,拘谨的对象描摹。把全部的注意力灌注在视觉世界里,画家们深入原野、乡村、街道写生、忠实地刻画在变幻不定的传统精神和写实语言的艺术变革,从而把光和色留在了画面中。
关键词:莫奈   印象派  光与色

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Broke through the traditional drawing pattern and with the color idea take not the armed forces as representative's impressionist school painters, the unceasing exploration color change, the description light and the color instantaneous impression, has established a set of new color view and the drawing expression means. Has abandoned not not essential, passive, cautious object description. The complete attention irrigation in the visual world, painter thorough wilderness, the village, the street sketch, portrays faithfully in the tradition which fluctuates does not decide energetic and the practical language artistic transformation, thus has kept the light and the color in the picture.

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